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Jonathan Safran Foer

827.

Jonathan Safran Foer, “Extremely Loud and Incredibly Close”
Funeral

Just because you bury something, you don’t really bury it.
828.

Jonathan Safran Foer, “Extremely Loud and Incredibly Close”
Everybody died

In the days and weeks that followed, I read the lists of the dead in the paper: mother of three, college sophomore, Yankees fan, lawyer, brother, bond trader, weekend magician, practical joker, sister, philanthropist, middle son, dog lover, janitor, only child, entrepreneur, waitress, grandfather of fourteen, registered nurse, accountant, intern, jazz saxophonist, doting uncle, army reservist, late-night poet, sister, window washer, Scrabble player, volunteer fireman, father, father, elevator repairman, wine aficionado, office manager, secretary, cook, financier, executive vice president, bird watcher, father, dishwasher, Vietnam veteran, new mother, avid reader, only child, com- petitive chess player, soccer coach, brother, analyst, maitre d’, black belt, CEO, bridge partner, architect, plumber, public relations executive, father, artist in residence, urban planner, newlywed, investment banker, chef, electrical engineer, new father who had a cold that morning and thought about calling in sick..
826.

Jonathan Safran Foer, “Extremely Loud and Incredibly Close”
Planes going into buildings

Planes going into buildings.
Bodies falling.
People waving shirts out of high windows.
Planes going into buildings.
Bodies falling.
Planes going into buildings.
People covered in gray dust.
Bodies falling.
Buildings falling.
Planes going into buildings.
Planes going into buildings.
Buildings falling.
People waving shirts out of high windows.
Bodies falling.
Planes going into buildings.
825.

Jonathan Safran Foer, “Extremely Loud and Incredibly Close”
Unclassified book

— What did you read?

— «A Brief History of Time»

— Is it any good?

— That’s not really a question you can ask about it.

824.

Jonathan Safran Foer, “Extremely Loud and Incredibly Close”
Nothing

Only a few months into our marriage, we started marking off areas in the apartment as «Nothing Places», in which one could be assured of complete privacy, we agreed that we never would look at the marked-off zones, that they would be nonexistent territories in the apartment in which one could temporarily cease to exist, the first was in the bedroom, by the foot of the bed, we marked it off with red tape on the carpet, and it was just large enough to stand in, it was a good place to disappear, we knew it was there but we never looked at it, it worked so well that we decided to create a Nothing Place in the living room, it seemed necessary, because there are times when one needs to disappear while in the living room, and some- times one simply wants to disappear, we made this zone slightly larger so that one of us could lie down in it, it was a rule that you never would look at that rectangle of space, it didn’t exist, and when you were in it, neither did you, for a while that was enough, but only for a while, we required more rules, on our second anniversary we marked off the entire guest room as a Nothing Place, it seemed like a good idea at the time, sometimes a small patch at the foot of the bed or a rectangle in the living room isn’t enough privacy, the side of the door that faced the guest room was Nothing, the side that faced the hallway was Something, the knob that connected them was neither Something nor Nothing.
823.

Jonathan Safran Foer, “Extremely Loud and Incredibly Close”
Reasons for things

Just because you’re an atheist, that doesn’t mean you wouldn’t love for things to have reasons for why they are.
822.

Jonathan Safran Foer, “Extremely Loud and Incredibly Close”
Synchronicity

What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our over- alls? When you skateboarded down the street at night you could hear everyone’s heart- beat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if every- one’s hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don’t really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn’t have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.

Jonathan Safran Foer

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